Critical Correspondence is a web-based publication of Movement Research that uplifts text-based engagements with artistic practice, research, and contexts that surround the field of dance, movement, and performance. Critical Correspondence publishes timely writing that focuses on process and dialogue as an alternative to reviews, promotions, critique, and academic articles. Curated and edited by a rotating team of artists, the publication fosters discourse and increases the visibility of movement-based practitioners’ critical thoughts, ideas, and feelings in larger artistic and cultural conversations. Read the most recent Issue of Critical Correspondence here.
Current Co-Editors
Current Interns