Hilary Clark

We'll begin slowly with simple exercises and scores influenced by my ongoing studies in fascia and energetic and somatic modalities, then moving on to improvisations and set phrase material. We’ll consider methods and questions for ourselves around vulnerability, rebellion, ability and perceived lack of ability. This class is a supportive permissive space meant to deepen our practice and availability to our own work as performers. We will explore the body as our teacher and seek to better understand our choices, seeing the dancer as also a maker.