#54
Issue #54

Editorial Team

  • Editor-in-Chief

    Moriah Evans

  • Managing Editor

    John Arthur Peetz

  • Issue Editor

    Alan Ruiz

  • Assistant Editor

    Emily Bartsch

  • Graphic Design

    Yotam Hadar & Sean Yendrys

  • Copy Editor

    John Dodig

  • Interns

    Juli Brandano, Nadia Hannan, Natalia Flores Zalles

  • Contributing Editors

    Matthew Lyons, Niall Jones, Rennie McDougall, Jaime Shearn Coan

  • Ad Layout

    Kate Patchett

  • Legacy Pages Layout

    Mary Anne Bodnar

  • Special Thanks

    Lauren Bakst, Ayano Elson, John Hoobyar, Matthew Lyons, Lydia Okrent, Rosy Simas, Ben Pryor, Benjamin Akio Kimitch

Movement Research announces Issue 54 of its publication, the Movement Research Performance Journal. Continuing to experiment with approaches that engage contemporary choreography and performance through the medium of print—poem, prose, image, interview and a wide range of formats give form to critical and self-reflexive discourses and material histories. Movement Research Performance Journal acts as a site of convergence between publication, editors, writers, designers, and artists to consider the place of dance, performance, and choreography in relation to the contemporary moment.

For MRPJ54: Spatial Practice, guest editor, artist Alan Ruiz invited contributors to examine the ongoing legacy of neoliberalism and the cultural production it engenders, specifically focusing on the relation between bodies and the built environment. Contributors have explored the contexts and histories in which we dwell, create, and coexist to interrogate how space is produced both as material and ideology during the hyper-development and hyper-exploitation of the urban environment, predominantly in New York City. Spatial Practice asks: how does this impact the bodies that labor and move to keep the kinetic machine of “progress” moving? Contributions offer multiple perspectives—through a variety of genres—on the ways in which the political project of neoliberalism has, in part, shaped the designation and use of public space as well as enthroned the philanthropic class and the cultural institutions associated with them. Alongside the consolidation of wealth and power, neoliberalism’s underlying insistence on individualism has also reinforced and normalized the braided conditions of capitalist exploitation, structural racism, and patriarchal domination. Unraveling this logic allows us to collectively imagine alternatives to the prevailing systems of property, dispossession, ableism, and incarceration that parcelize existence.

Within Spatial Practice, a separate section dedicated to dance includes submissions culled from the performance community tied into the larger thematic architecture of the issue, but meant to stand alone. These works range from descriptions of the politics and ethics of various art works to which the writers bore witness or take the form of dialogues about practices and philosophies of the role and perception of art and artists in self-reflexive essays and tributes. Some artists share scores and visual essays to elucidate their creative process, institutional critique, and political sentiments. Also included are edited transcripts from interviews about creating techniques and practices around embodied and disembodied notions of performance as well as discussions around the importance of probing the hierarchies created by white supremacy in spaces of dance-making, dance pedagogy, and auditions. This collection of creators, scholars, and figures in the field of movement enrich the very focused discussion of Issue 54 to incorporate voices from the community. This section of the Performance Journal functions as an open and expanded container—not assembled through theme-based content, but through incidental and sometimes concurrent concerns.

The release of MRPJ54 coincides with the convergence of the COVID-19 pandemic and the political actions taken by Black Lives Matter and abolitionists across the world. This moment has demanded that the world take pause and consider the multiple precarities and conditions under which bodies operate and are assigned value in society. The built environment is not merely a backdrop for these questions but, as many of MRPJ54’s contributors suggest, is constitutive of an apparatus of political forces. These forces shape the built-environment—and yet, how we perform against urban and social infrastructures (especially those that reinforce existing structures of power) can be understood as a fundamental dimension of ongoing agonistic struggles. Protest does more than take to the street—it takes it over and rewrites the protocols of space. Many activists and scholars have long argued for the importance of mass demonstration in the struggle for social transformation and that neoliberalism and carceral capitalism are both expressions of the same underlying system of exploitation and oppression. Included in Issue 54 is material by the grassroots organization Critical Resistance—founded by Angela Davis, Ruth Wilson Gilmore, Rose Braz, and others—that is dedicated to dismantling the prison-industrial complex. Critical Resistance’s “Abolitionist Toolkit” is reprinted as the interior cover to MRPJ54: Spatial Practice and a chapter from Angela Davis’s Are Prisons Obsolete? is reprinted as the interior cover to MRPJ54: Performance Journal. The wrapped cover of MRPJ54: Spatial Practice depicts the shuttered entrance to the Whitney Museum of American Art, which—like several other prominent New York City museums and hundreds of businesses—responded to civic unrest by denying its capacity to function as a public space. As a counterpoint, the MRPJ54: Performance Journal section’s wrapped cover depicts the opened entrance to New York Theatre Workshop, which was one of several arts organizations participating in the #OpenYourLobby initiative by functioning as sites of refuge during weeks of protests. Rather than simply a container, these examples reveal how the built environment is a necessary site for both action and critique.

In light of the global health crisis and the limitations that have been placed on our traditional model of distribution through community performance centers and the mail, we will also be releasing MRPJ54 in a unique vivisected digital form each week beginning August 5, 2020. Every week we will release a curated bundle of article PDFs until the entire issue has been distributed as arranged content groupings. To maintain both the integrity of the printed publication as a choreographed and designed object itself, Issue 54 of Movement Research Performance Journal will only be available in its entirety in its printed form. The issue will still be mailed to all subscribers and distributed publicly for free in New York City where possible. To subscribe to the mailing list of the Movement Research Performance Journal to receive the weekly articles, click here. Please email [email protected] for more information.

Read the Issue 54 Press Release and Article Summaries >>

Contents

MRPJ54: Spatial Practice
Interior Cover ABOLITIONIST TOOLKIT
Critical Resistance
Critical Resistance
8-9 LETTERS FROM THE EDITORS
Moriah Evans, Alan Ruiz
Moriah Evans, Alan Ruiz
12-13 THANK YOU FOR YOUR FLEXIBILITY
Alan Ruiz
Alan Ruiz
14-15 INVESTMENTS AND EXPANSIONS
16-17 THE BED AND THE DRILL HALL
Lluís Alexandre Casanovas Blanco
Lluís Alexandre Casanovas Blanco
18-19 DISSECTING THE PARK AVENUE ARMORY SOCIAL SYSTEM
20-21 THERE IS A BOUNTY IN WHAT IS LOST
Julie Tolentino and Sadia Shirazi
Julie Tolentino and Sadia Shirazi
22-23 FALLEN ON HARD TIMES: POPE.L, PRECARITY, AND NEW YORK IN THE 1970s
Kaegan Sparks
Kaegan Sparks
24-25 THE BOWERY IN TWO INADEQUATE DESCRIPTIVE SYSTEMS, 1975-1975
Martha Rosler
Martha Rosler
26-27 STOLEN ARTICLE: CULTURE AS CONSUMPTION
Suzanne Stephens
Suzanne Stephens
28-29 SCOTCH TAPE URBANISM
Joshua Lubin-Levy
Joshua Lubin-Levy
30,59 GROUNDBREAKING CEREMONIES
60-61 INSTITUTION BUILDING: ABRONS ARTS CENTER 1975-2017
Lo-Yi Chan and Tim Hartung
Lo-Yi Chan and Tim Hartung
62-63 DANCE AND REAL ESTATE IN LOS ANGELES: RECONSIDERING GLORYA KAUFMAN'S DANCE PHILANTHROPY
Olive McKeon
Olive McKeon
64-65 LIVENESS, MOVEMENT, ARCHITECTURE
Alice Sheppard
Alice Sheppard
66-67 MEMORY WORK: EXCAVATING THE ROOM
Biba Bell
Biba Bell
68-69 BECOMING UNDONE
Erik Thurmond
Erik Thurmond
70-71 POPS
BRANDT : HAFERD
BRANDT : HAFERD
72-73 WHEN BIRDS REFUSED TO FLY: A DIALOGUE
V. Mitch McEwen and Olivier Tarpaga
V. Mitch McEwen and Olivier Tarpaga
74-75 PIVOT AND SLIDE
Sarah Oppenheimer
Sarah Oppenheimer
76-77 GIVING A BODY TO AN IMAGE
Jimmy Robert in Conversation with Mario Gooden
Jimmy Robert in Conversation with Mario Gooden
78-79 UNCONTAINABLE
Dominic Cullinan
Dominic Cullinan
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MRPJ54: Performance Journal
Interior Cover ARE PRISONS OBSOLETE: ABOLITIONIST ALTERNATIVES
Angela Davis
Angela Davis
34-35 THE DANCE UNION'S TOWN HALL FOR COLLECTIVE ACTION: DISMANTLING WHITE SUPREMACY WITHIN DANCE INSTITUTIONS
J. Bouey and Melanie Greene
J. Bouey and Melanie Greene
36-37 NANCY STARK SMITH: A TRIBUTE
Lisa Nelson
Lisa Nelson
38-39 MULTIPLICITY OF PRACTICES
Diana Crum
Diana Crum
40-41 dunked
Kristopher K.Q. Pourzal
Kristopher K.Q. Pourzal
42-43 FOR OFFICIAL USE ONLY: STAGING THE VERBATIM FBI INTERROGATION OF WHISTLEBLOWER REALITY WINNER
Jess Barbagallo
Jess Barbagallo
44-45 RUMORS
Simon Asencio interviewed by John Hoobyar
Simon Asencio interviewed by John Hoobyar
46-47 OF CIRCLES AND CYCLES: REMEMBERING, RITUAL, AND RHYTHM IN BLACK QUEER FEMALE DANCES
Layla Zami
Layla Zami
48-49 UNBEER SONATA
Cristiane Bouger
Cristiane Bouger
50-51 IT IS NECESSARY TO LOOK AT WHAT IS VITAL
Daria Faïn interviewed by Marjana Krajač
Daria Faïn interviewed by Marjana Krajač
52-53 GERMAINE ACOGNY AND HELMUT VOGT
Interviewed by André M. Zachery
Interviewed by André M. Zachery
54-55 CONVERSATIONS
Milka Djordjevich and Tim Reid
Milka Djordjevich and Tim Reid
56-57 DARK UTTERING
Melanie Maar
Melanie Maar

Editorial Team

  • Editor-in-Chief

    Moriah Evans

  • Managing Editor

    John Arthur Peetz

  • Issue Editor

    Alan Ruiz

  • Assistant Editor

    Emily Bartsch

  • Graphic Design

    Yotam Hadar & Sean Yendrys

  • Copy Editor

    John Dodig

  • Interns

    Juli Brandano, Nadia Hannan, Natalia Flores Zalles

  • Contributing Editors

    Matthew Lyons, Niall Jones, Rennie McDougall, Jaime Shearn Coan

  • Ad Layout

    Kate Patchett

  • Legacy Pages Layout

    Mary Anne Bodnar

  • Special Thanks

    Lauren Bakst, Ayano Elson, John Hoobyar, Matthew Lyons, Lydia Okrent, Rosy Simas, Ben Pryor, Benjamin Akio Kimitch