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From the Editors

Protect what’s yours till you’re tired and crying.
I have given you my heart motherfucker
I think the high heel will save me and so I covet it
I am scarcity’s child
a have not forever
unfulfillable
Ivana Trump orders 6000 bras every six months what has she got
Protect what’s yours until you’re tired and crying.

—-Sarah Michelson

I would like to thank Sarah Michelson for her ultra–organized, utterly creative and extra-­ concise, ass–whipping, natural, editorial capabilities. Is that a run-on sentence Sarah? I am so impressed!!!!! When she asked me to co–edit a journal on ownership, I held a very myopic perspective on the theme. Having sacrificed standard material wealth to afford myself a career as a dance artist in the United States, I have been somewhat obsessed with the relatively safe financial state of my peers.

These are people who I love, in other areas of work, with whom I share commensurate career accomplishments. However we do not share the same level of nummular remuner­­ation (I do own a dictionary and thesaurus!). Through my tear-filled eyes, I couldn’t see past my own empty bank account and paltry crust of bread. So I assumed most of the articles would deal with “artist as pauper.” I have never edited anything before, and I was surprised at how the submissions received redefined and opened up my point of view. To hear larger discussions of how ownership falls into the realm of aesthetics, management and artistic invention, among other things, took me out of my trip.

Not that larger issues are lost on me; it is just that I am elderly and greatly concerned with issues like: Can I afford a gay nursing home? Can I clean houses for money at 80 and still use my respirator? Should I sell that teapot of my aunt’s, and for the love of Pete what will I spend that twenty bucks on? Cremation is expensive, so could I ask one of my successful friends to burn my body in the fireplace up at the country house?

So I was thankful to be delivered from my obsession by the diverse ways in which people wrote. As always, this community of brave heroes has helped me gain a new excitement and allowed me to return to that spiritual thought from my youth—-money can’t buy happiness.

But god damn it. It could buy me a building like that Mike Morris is getting. Or that one uptown for Donnie Parsons. Enjoy!

– Tere O’Connor

For a while, The Vavavoom room, where I often perform was on Wednesdays, as we liked to call them, Cunty Wednedays. A dear friend of mine walked in and said to me “Hi, oh your eyes look like my eyes”. This inflamed me to say “No, your eyes are like mine.” This started to build until the mistress of house blurted “Yeah, like they haven’t been putting glitter on their eyes in LA for years.”

I get held up at gunpoint they say the same thing “This is a hold up.” It’s a line from a movie, but each of the four times I’ve had a gun held to my head that is what the mug­­gers say. It’s an announcement of the trade, your unharmed body for your wallet, your ID, your keys, your bank card. Ever try accessing your account without proof of your iden­­tity? They don’t do DNA scans in banks yet. (I wonder how much that would cost)

In utopian future worlds where people live on star ships there is no money, no property, no debt. How did this evolve? Will we have to go through a phase where bar codes were inscripted on the back of our skulls and are scanned whenever we need something? When can we get computer chips in our brains? I want one.

There apparently is an angel in heaven that gives you back all the things you’ve lost. Aside from a mountain of pens, sunglasses and my virginity, what could he have?

—-Julie Atlas Muz

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Contents

  • 2 FROM THE EDITORS SARAH MICHELSON, TERE O'CONNOR, JULIE ATLAS MUZ
  • 3 LETTERS TO THE EDITORS DELISA MYLES
  • REMY
  • LUCY DU BONE
  • LYNDA RUFFRNER
  • 3 THIS IS MY ARTICLE ZACK FULLER
  • 4 INTERVIEW: RICHARD MOVE SARAH MICHELSON
  • 5 GRAHAM-TYPE BY-PRODUCT MAXINE SHERMAN
  • 5 DEAR FRIENDS JANET ELBER
  • 6 OWNERSHIP KEITH HENNESSY
  • 7 GEORGIE BOY GREG ZUCCOLO
  • 7 PHOTO DONA ANNA MCADAMS
  • 8 GENERAL MELVIN AND THE MISSING PENS (OWNERSHIP AS MENTAL ILLNESS) MICHAEL KANIECKI
  • 9 PROVE TO ME ANTLER
  • 10 STEALING, INFLUENCE AND IDENTITY SUSAN RETHORST
  • MR PROGRAMS: WINTER/SPRING 2001
  • 11 DANCE PURCHASING PROJECT JANUSZ JAWORSKI
  • 11 UNDER US JULIE REGAN
  • 11 A LIFE OF STEALTH CHRYSA PARKINSON
  • 12 OWN THIS BRIAN MCKORMICK
  • 13 IT TAKES A LOUSY VILLAGE JULIANA FRANCIS
  • 13 IMPROVISATION ON A THEFT OF LIGHT (FOR AMY SUE ROSEN) GARY KEENAN
  • 13 SHE'S GIVEN ME MY BODY BACK JO MCKENDRY
  • 13 PEOPLE OF PARIS GREGORE PASLAWSKY
  • 14 DANCER X DIANE VIVONA
  • 14 REPORT FROM DOTCOMLAND STEVE GRECCO
  • 15 QUOTE LINDA MARINI
  • 15 PHOTO JOHN HORNE
  • 16 FROM: SAFE AS HOUSES: ONE ARTIST'S LIFE IN NEW YORK CITY 1980-1990 CHAPTER 4 JEFF MCMAHON
  • 17 IMAGES WE OWN MARK RUSSELL

Editorial team

Sarah Michelson, Tere O'Connor, Julie Atlas Muz
Editors
Ellen Fanning
Design
Jana De Witt
Calendar Design
EXUM, Mike Iveson, Ellen Fanning, Dawn Hart, Abby Razminsky and those who submitted work which we were unable to include.
Special Thanks