MR Performance Journal
Since its inception in 1990, the Performance Journal has fostered the evolution of written and graphic languages that contemplate current issues of dance and performance. Created by and for artists via a magazine format, the Performance Journal provides a unique forum for critical rigor and a multi-disciplinary readership. Writings are specifically linked to events, artists, trends, and ideas associated with the current and upcoming performance season in New York, across the country, and abroad. The Performance Journal focuses on artists' of-the-moment concerns, with past topics including gender, environments, identity, technology, activism, dance writing and, most recently, explorations of the ways in which contemporary dance negotiates with the larger cultural landscape.
New MRPJ rates went into effect September 2018.
Published one–two times annually, the PJ is distributed free in NYC at many local organizations and institutions related to dance and performance art. For delivery to your home or organization, become a subscriber today.
Subscriptions & Back Issues
Subscriptions and back issues are available for purchase for individuals and institutions. In an effort to instigate discourse and connect our broader community, we also offer bulk subscriptions and bulk orders on select back issues for our fellow not-for-profit organizations and educational institutions around the world to distribute to their audiences, constituents, and artists.
For these issues, 25 copies cost $25, 50 copies cost $35, and 100 copies cost $60.
To place a bulk order, please email [email protected].
Buy the full set
A full in-print set includes issues # 3, 5, 14, 15, 19, 20, 22, 26, 32-34, 38, 40-44, and 46-50. The set costs $60 for individuals and $200 for institutions. Shipping & Handling in the US and Canada costs $15, while Shipping & Handling internationally costs $50.
PDF Excerpts Available for Download:
From MRPJ #45: On Performing Donelle Woolford
From MRPJ #44: Past Present Future
Issue #51 of Movement Research Performance Journal continues to experiment with approaches to engaging with contemporary performance through the medium of print. This issue of the MRPJ offers original textual explorations of ideas, as well as photo essays and visual experiments that present options for how we consider the place of dance in the contemporary moment.
Functioning as an object that is both form and content, the front and back covers of Issue #51 feature images of Elizabeth Garren, Wendy Perron and Mona Sulzman dancing Splang in Trisha Brown’s loft in 1978. The photos were taken by a teenage Christopher Rauschenberg, son of Robert Rauschenberg. Beautifully awkward and intimately captured, these photographs show something of the movement research that preceded what is now recognized as Brown's form and language. The images frame this issue and speak to what's loosely shared among the work in this issue: a reflective memorial portfolio on Brown's life and work, edited by Iréne Hultman, and a collection of dense and speculative texts edited by Mårten Spångberg that address "movement research" — the topic, rather than the organization....
This issue is OUT OF PRINT.
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