In an effort to represent diverse processes and means of reflection, Critical Correspondence asked poet and artist Christine Shan Shan Hou to submit responses to the work she is seeing according to her own creative practices. This is part of our ongoing interest in soliciting alternative materials from the performance community highlighting the intrinsically subjective nature of creation and observation. This page will be updated often as a series in as many parts as can herein be contained.
Response to Trajal Harrell's Judson Church Is Ringing in Harlem (Made-to-Measure)/Twenty Looks or Paris Is Burning at the Judson Church (M2M) October 11-13, 2012 at Danspace Project
Response to DD Dorvillier's Danza Permanente September 26-30, 2012 at The Kitchen
Response to RoseAnne Spradlin’s beginning of something September 26-29, 2012 at New York Live Arts
Response to Two Evenings with Carolee Schneemann September 21-22, 2012 at Danspace Project Untitled (after Carolee Schneemann) - gouache and collage on paper
7.25 x 8.25 inches
Response to Clarinda Mac Low's 40 Dancers do 40 Dances for the Dancers September 13-15, 2012 at Danspace Project
Brian Rogers, Christine Shan Shan Hou, Clarinda Mac Low, Danspace Project, DD Dorvillier, poetry, poetry and dance, RoseAnne Spradlin, The Chocolate Factory, The Kitchen