Rebecca Gual (she/her) is an interdisciplinary performer, choreographer, and project manager. Born and raised in Queens, New York, she is proudly of Jamaican and Puerto Rican descent. Rebecca began her dance training at The Ailey School, furthering her education at Frank Sinatra School of the Arts and Ballet Hispánico. She holds a Bachelor of Fine Arts in Performance and Choreography from California Institute of the Arts, where she studied under Andre Tyson, Becca Lemme, Colin Connor, Cynthia Young, Glen Eddy, Julie Bour, Laurence Blake, and Rosanna Gamson.

Rebecca is the Rentals Manager at CPR – Center for Performance Research. She has previously held administrative positions at A.I.M by Kyle Abraham, UOVO, Gibney, and Roads & Kingdoms. As a performer, she has had the pleasure to collaborate and perform in works by Ligia Lewis, Jessica Lang, Morgaine de Leonardis, Danielle Kipnis, Nicole Loeffler-Gladstone, Zoe Scofield, Karesia Batan, Joan Bradford, Sydnie L. Mosley, ChristinaNoel Reaves, and Oroma Elewa, among many others. 

Rebecca creates and presents dance works as gual + moves. Her works have been presented at The Roy and Edna Disney CalArts Theater (REDCAT), SMUSH Gallery, Ailey/Citigroup Theater, Queens Museum, Bronx Academy of Arts and Dance (BAAD!), and Triskelion Arts, among others. Rebecca has engaged in choreographic residencies at Bethany Arts Community, the Dancing Futures Residency presented by BAAD! and Pepatián under the mentorship of Beatrice Capote and Alicia Díaz, and was named a 2025 Individual Artist Fellow with The New Jersey State Council on the Arts.

She is based in Jersey City, New Jersey, across the Hudson River from her native New York City.

A portrait of Rebecca sitting at a table. She wears black framed glasses, a brown jacket, a tan top, and her hair is down right above her shoulders. Behind her are shelves and plants. Image courtesy of Artist.
ID: A portrait of Rebecca sitting at a table. She wears black framed glasses, a brown jacket, a tan top, and her hair is down right above her shoulders. Behind her are shelves and plants. Image courtesy of Artist.