Nicole Bindler–dance-maker, Body-Mind Centering® practitioner, writer, and activist–has practiced contact improvisation since 1997. She is a registered Master Somatic Movement Therapist through The International Somatic Movement Education and Therapy Association. Her work has been supported by numerous grants and fellowships, and presented on four continents. Recent projects include curating an evening of Palestinian dance films; somatic research on the embryology of the genitalia from a non-binary perspective; a workshop on neuroqueering embodiment; co-producing the Consent Culture in Contact Improvisation Symposium at Earthdance; and a solo dance, The Case for Invagination, in which her scars speak candidly about trauma and desire. Notable performance projects have included touring as a choreographer with the Bethlehem-Based Palestinian company, Diyar Theatre; a Pew-funded performance residency in Japan including Butoh training with Yoshito Ohno; and performing Deborah Hay’s I Think Not at Unidad De Vinculación Artística in Mexico City. In 2026 she will be showing her work in two projects at the Philadelphia Museum of Art. She is co-editing a book, Gathering Sparks: Jewish Arts and Somatics that will be published by punctum books.

Nicole, a white woman with curly black hair and hazel eyes is prone, propped on her forearm with a pool of white light shining on her face. The light glows on her neck, a colorful abstract arm tattoo, and her fluorescent yellow dress. Photo by Brad Burkons.
ID: Nicole, a white woman with curly black hair and hazel eyes is prone, propped on her forearm with a pool of white light shining on her face. The light glows on her neck, a colorful abstract arm tattoo, and her fluorescent yellow dress. Photo by Brad Burkons.