Londs Reuter makes dances to examine her material — its inheritances, its possibilities, and its eventualities. She wants to be accountable to her material (which includes you).As a dance-maker, Londs has received support from New York Live Arts (Fresh Tracks), Danspace Project (Food for Thought), the Knockdown Center (Sunday Sessions), and Abrons Arts Center. She has been in residence at MANCC (Forward Dialogues 2019), Snug Harbor Cultural Center, Playa Summer Lake, and the Center for Performance Research (2020-1 AIR). She has led workshops at the Domestic Performance Agency, SLEEPCENTER Gallery, and the Brooklyn Studios for Dance.
As a dancer, she has performed in museums for Ceclia Vicuña and Simone Forti, in galleries for Abigail Levine, on screens for Sarah A.O. Rosner and Diana Crum, and on the many illustrious downtown stages of New York for Ursula Eagly, Will Rawls, Perel, Jillian Sweeney, and Katy Pyle/the Ballez.Londs is the author of Private Inventory: One Way to Be Accountable to Your Material. She is a member of Phone Club, an audio-only gathering for artists to process, and is currently developing a practice for describing fantasy dances with Marion Storm called The Interview.
ID: Londs Reuter dancing in a natural setting with fall leaves and trees in the back and foregrounds. She wears all white and stand extending her arms away from her torso. Her head looks upward and diagonally back. Photo courtesy of the artist.