Image description: Krishna, a thin, pale skinned woman with long dark hair pulled into a braid, poses on a studio stage. She is wearing a simple white dress with her shoulders exposed and a fluffy white headdress perched on her forehead and wrapping down her braid. She looks over her left shoulder as she lightly holds a straight cane between her hands and points her left foot behind her. Photo Credit: Krishna Washburn & Micaela Mamede
Krishna Washburn
Krishna is the director and teacher of Dark Room Ballet, a pre-professional dance curriculum designed for the educational needs of blind and visually impaired people, the only course of its kind in the English-speaking world. Krishna holds a Masters of Education from Hunter College, a BA from Barnard College, and multiple certifications from the American College of Sports Medicine with a focus in biomechanics. Dark Room Ballet has been featured in USA Today (Green Bay Gazette, North Jersey News), BLOOM magazine, Speak Out for the Blind podcast, Eyes on Success podcast, and on Bloomberg Quicktake news.
Krishna Christine Washburn has performed with many leading dance companies including Jill Sigman’s thinkdance, Infinity Dance Theater, Heidi Latsky Dance, Marked Dance Project, and LEIMAY.
Krishna has collaborated with many independent choreographers, including Patrice Miller, iele paloumpis, Perel, Vangeline, Micaela Mamede, Apollonia Holzer, and most notably with A. I. Merino, who especially created her signature role, Countess Erzsébet Bathory, and with whom she founded the artistic collective Historical Performances.
Krishna boasts several ongoing artistic collaborations, including work with wearables artist Ntilit (Natalia Roumelioti). Krishna is the Artistic Director of The Dark Room, a multi-disciplinary project with fellow visually impaired dancer, Kayla Hamilton. Krishna is also the Artistic Director of the Telephone Dance and Audio Description Game, an on-going activist screen dance documentary project with choreographer and filmmaker, Heather Dayah Shaw.