Jesse Zaritt’s work engages drawing as dancing – a visual and physical practice linked to dreaming, drafting, and materializing futures. His choreographic, performance and teaching practices research the ways in which excessive, contemplative and resistive dance practices take part in processes of social transformation. A series of solo works made between 2008 and 2022 interrogate attachments to Jewish ritual and community, seeking to queer dominant paradigms of familial/national belonging, religion, gender and sexuality. Zaritt is an Associate Professor at the University of the Arts and currently works in creative dialogue with Sara Shelton Mann.
- Critical Correspondence Contributor
- Publishing
- Spring 2024 MR@Judson Artist