Helen Yung designs and makes exhibitions, installations, interactions, interventions and performances that have been presented in Germany, Greece, France, Australia, New York, New Orleans, Montreal, Toronto, Vancouver, and beyond. She has collaborated with many artists and companies, including Nic Aziz Briere, Samita Sinha, Lorene Bouboushian, Izad Etemadi, Meagan O’Shea, Erin Brubacher, Cathy Gordon, Ravyn Wngz, Sharada Eswar, Cole Lewis, Tom Kuo, Deanna Choi, Maddie Bautista, Black Lives Matter Canada, Dreamwalker Dance Company, TO Dance Community Love-In, Buddies in Bad Times Theatre, Nightwood Theatre, the red light district theatre company, Open Heart Surgery Theatre Company, The Independent Aunties, the Storm &nd Stress Company, and others. Her work has been supported by private and public funders, including Kresge Foundation, The Banff Centre, Performance Space/Arts House/Australia Council for the Arts, L’Institute international de la marionnette, Le Fondation Tenot, and all three levels of arts councils in Canada. Helen leads the Laboratory for Artistic Intelligence. She has received four Toronto Dora Theatre award nominations (Outstanding Production, Scenic Design, Costume Design, and Lighting).

Through a floor-to-ceiling glass storefront, we see an Asian woman with wavy chin-length dark hair sitting bare-legged in a room strewn with seat cushions, a microphone, and an assortment of mysterious, colourful prints and objects. A few prints hang on the wall to her right, as well as an anatomical poster behind her. She sits up with her knees bent, feet planted on the ground, legs spread apart with a crumpled white sheet partially draped over her thighs. She is looking away from the camera. Photo courtesy of the artist.
ID: Through a floor-to-ceiling glass storefront, we see an Asian woman with wavy chin-length dark hair sitting bare-legged in a room strewn with seat cushions, a microphone, and an assortment of mysterious, colourful prints and objects. A few prints hang on the wall to her right, as well as an anatomical poster behind her. She sits up with her knees bent, feet planted on the ground, legs spread apart with a crumpled white sheet partially draped over her thighs. She is looking away from the camera. Photo courtesy of the artist.