Gerald, a brown-skinned Filipino dancer, is wearing yellow shorts and a maroon tank top with the word LOVE emblazoned on it. He is kicking his right leg forward and stretching his right arm back. Photo by Julie Lemberger.
ID: Gerald, a brown-skinned Filipino dancer, is wearing yellow shorts and a maroon tank top with the word LOVE emblazoned on it. He is kicking his right leg forward and stretching his right arm back. Photo by Julie Lemberger.

Morning Class: Necessary Practice

Necessary Practice is a rigorous, mindful, and somatically rooted movement class designed to provide a space for dance artists to expand their range and ease of motion, revealing their truest movement potential. Drawing from Bartenieff Fundamentals, yoga, Body Mind Centering, and PNF patterns, the class emphasizes subtlety, precision, and grace. Through detailed floor work, improvisational explorations, and phrase building based on multiple somatic principles that layer upon technically challenging movement, dancers practice and refine their performance skills, deepen physical awareness, and cultivate self-compassion—empowering them to embody any movement style with kinesthetic sensitivity and power.

What to expect:
Class begins with a thorough warm up consisting of gentle floor-work (from Bartenieff Fundamentals and PNF patterns) and progresses to standing exercises and movement phrases that travel across, in and out of the floor to investigate flow and energy while paying attention to the dancer’s awareness of time, energy, focus, breath, and intimate relationship to gravity. Class culminates with a dance phrase that integrates mind and body, harmoniously moving with greater articulation, expressivity, and intent. This class is best suited for intermediate to advanced dancers who are thinking about sustainable dance practices and injury prevention as they integrate somatics into highly physical dancing. This class also promotes self-compassion as an antidote to histories of harmful dance training — using principles of self-kindness (versus self-criticism), mindfulness (versus rumination), and common humanity (versus isolation and competition). We will awaken the subtle body, question virtuosity, breathe with intention, feel our movement, learn complex phrases, improvise, be in community, and unlearn patterns that no longer serve who we are as movement artists.

For class-related questions, please email programs@movementresearch.org.

Accessibility Notes

  • This class includes auditive guidance.

To request ASL interpretation or Audio Description, please email accessibility@movementresearch.org, subject line “ASL/Audio Description Request, Gerald Casel” at least three (3) weeks prior to the class date you plan to attend.

For access-related questions and requests, please contact accessibility@movementresearch.org, subject line “Gerald Casel.”

Register for this class

In-Person

Location

MR, 122CC – Ninth Street Studio
150 First Avenue
New York, NY 10009

  • Get the Green - IRT Lexington Avenue Line numbers: 6 to Astor Place
  • Get the Light slate gray - BMT Canarsie Line numbers: L to 1st Avenue
  • Get the Orange - IND Sixth Avenue Line numbers: F to 2nd Avenue

Faculty

Gerald Casel

Gerald Casel

Gerald Casel is a “Bessie” and “Izzie” award winning dance artist, equity advocate, and antiracist educator.

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