Morning Classes were once held everyday at 10am, but now happen throughout the week at various times of day. Classes offer the opportunity to experience an artist Faculty's movement practices, investigations, histories. Classes may include somatic, improvisation, and movement phrase exercises. If dance experience is recommended, it will be denoted on the class webpage.

A series of ongoing, weekly drop-in classes based in a variety of body practices, designed to expand one’s understanding and efficient use of the body. Classes are suitable for professional dancers and non-dancers alike.

In the wake of COVID-19, Movement Research partners with the Trisha Brown Dance Company to host a $10 online weekly Company Class through Zoom taught by a rotating cast of current and former company members.

Hosted by Movement Research, Dark Room Ballet is taught by Krishna Washburn and designed specifically for the educational needs of blind and visually impaired people.

Click to learn about upcoming classes:

[Virtual] Dark Room Ballet: Open Level Class
[Virtual] Dark Room Ballet: Introductory Level Class

Movement Research hosts a variety of classes in improvisational forms. Weekly Contact Improvisation classes take place in the evenings at Eden's Expressway and Gibney Dance 280 Broadway. The Underscore, developed by Nancy Stark Smith, is held monthly at Eden's Expressway on every second Sunday and led by a rotating roster of Underscore Facilitators. On Saturday mornings, K.J. Holmes leads Athletics of Intimacy, which explores dancing through the improvisational lenses of somatics, contact improvisation, and perceptual composition.

Workshops assist the pursuit of deeper levels of exploration into new dance processes, techniques, and ways of thinking and working, for faculty and students alike. Workshops are scheduled during MELT (Summer and Winter Intensives), in conjunction with the Movement Research Festival and at various times throughout the year.

Movement Research’s Winter and Summer intensives featuring the most innovative teachers and creators in dance today. Workshops include technique, composition, somatic practices, and improvisation as well as non-studio topics like lighting design, reading groups, and “movie” nights.