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Neil, a white man with short brown hair, is sitting on the floor and smiling goofily at something he seeing beyond the camera frame. He wears a purple tank top and black shorts. Four workshop participants are sitting on the floor surrounding Neil. One participant looks at Neil, while two others are looking off camera and are smiling. The back of the fourth participant's head is pictured, nearest to the camera. Photo by Rachel Keane.
ID: Neil, a white man with short brown hair, is sitting on the floor and smiling goofily at something he seeing beyond the camera frame. He wears a purple tank top and black shorts. Four workshop participants are sitting on the floor surrounding Neil. One participant looks at Neil, while two others are looking off camera and are smiling. The back of the fourth participant's head is pictured, nearest to the camera. Photo by Rachel Keane.

Registration for MR Friends opens March 16! >>>Become an MR Friend!
Registration for the general public opens on March 23.

This workshop is offered on a sliding scale of $200-$300.
Participants must register for the full workshop, there are no drop-ins.

Queer as adjective, verb, and noun: What might make a performance action queer? What is it to queer performance? What constitutes a queering?

The workshop will rely on discourse, both choreographic and verbal, as a means of critical reflection of our own taken-for-granted assumptions about dance, choreography and performance, as well as the normative assumptions of the traditions in which we each participate.

Participants will develop palettes of materials—movement, ideas, questions—via directed improvisation, then experiment to find different strategies for organizing the materials. We’ll then bring those explorations forward through performance-making experiments that center on the queering of form and process – irrespective of whether the actual materials or performance actions are explicitly queer (though we’ll look at that possibility too). Additional points of departure for investigation will include how the audience builds a theory while watching a dance, what constitutes dance-events in each artist’s work, how events are framed; identification of consonance and dissonance; and queer excess, ambiguity, failure and futurity.

What to expect:
Directed improvisation; solo and group compositional exercises; discussion in large and small groups; optional readings.

For MELT-related questions, please email melt@movementresearch.org.

 

Accessibility Notes

  • This workshop includes auditive guidance.
  • This workshop includes text/images/video shared on a large screen tv.
  • This workshop includes readings.

To request ASL interpretation or Audio Description, please email accessibility@movementresearch.org, subject line “ASL/Audio Description Request, MELT Neil Greenberg” at least three (3) weeks prior to the first date of the workshop.

For access-related questions and requests, please contact accessibility@movementresearch.org, subject line “MELT Neil Greenberg.”

Location

The Bob (previously known as 9th St Studio)
150 First Avenue
New York, NY 10009

  • Get the Green - IRT Lexington Avenue Line numbers: 6 to Astor Place
  • Get the Light slate gray - BMT Canarsie Line numbers: L to 1st Avenue
  • Get the Orange - IND Sixth Avenue Line numbers: F to 2nd Avenue

Artists

Neil Greenberg

Neil Greenberg

I’m a choreographer, dancer and educator, perhaps best known for my Not-About-AIDS-Dance (1994), which employs projected text as a layering strategy to provide doors into spaces for meaning(fulness) in the dance, while raising questions about the nature of meaning-making.

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