one of the world’s leading laboratories for the investigation of dance and movement-based forms

Catch up on February Critical Correspondence! Read "Barbara Browning and Narcissister In Conversation" and "Blue Slurpee Revolution: Alex Tatarsky in Conversation with Anh Vo" >>

Issue #55 of the Movement Research Performance Journal arrives this Spring. Learn more, download, and SUBSCRIBE >>


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In-person programming is suspended until further notice. We'll update you here should in-person programs resume. Thank you for your participation in online programs!

What's Upcoming at Movement Research

workshop

[Virtual] Moving Bodies in Frame

Andrea Lerner

Fri, Mar 5 – Apr 23
class

[Virtual] The Sounding Body: Muscle Memory meditations & Sonic portals

UFlyMothership (collaboration duo Tendayi Kuumba & Greg Purnell)

Wed, Mar 10 – Mar 24
class

[Virtual] Resiliency Motions, Decisive Actions

Zavé Martohardjono

Thu, Mar 11 – Mar 25
class

[Virtual] Dark Room Ballet: Introductory Level Class

Krishna Washburn

Sat, Mar 13 – Apr 17
class

[Virtual] Alexander Technique

Emily Faulkner

Wed, Mar 17 – Apr 28
class

[Virtual] Trisha Brown Dance Company Class

Eva Karczag

Wed, Mar 24 – Apr 7
 See the calendar for a full listing of our events, classes and workshops

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Keep up-to-date! Stay informed on everything Movement Research and subscribe to our online publication Critical Correspondence here!

Our Publications

Correspondence

Critical Correspondence is a web-based publication of Movement Research that provides a forum for diverse engagements with artistic practice, research and the contexts that surround the field of dance.

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Conversations

Barbara Browning and Narcissister In Conversation

February 19, 2021

Movement Research Performance Journal

Started in 1990, the Performance Journal is a printed forum created by and for artists, fostering the evolution of written and graphic languages that contemplate current issues of dance and performance.

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#55

Issue #55

How can we make a journal dedicated to dance and performance in the absence of venues for public gathering, in the shift of stages from the actual to READ MORE

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