PROGRAM

Residencies

Movement Research's offers residencies to artists at various stages in their career.

The Movement Research Artist-in-Residence program was launched in 1991. In 2001 it became a two-year Artist-in-Residence program. It provides commissions, rehearsal space, performances, professional development opportunities and peer dialogue, all of which are designed to support the individualized creative process of movement-based artists.

In 2020 Movement Research launches a new Parent Artist Residency program, designed to support the artistry of parents with children between the ages of 1 month to 13 years.

Upcoming Deadlines:

The application for the Parent Artist Residency Program is OPEN, and the application deadline is FRI February 28 11:59 EST.

The application for the Artist-in-Residence Program is OPEN, and the application deadline is WED March 4 11:59 EST.

Residency Programs

Movement Research's Artist-in-Residence program is a two-year residency that provides commissions, rehearsal space, performances, professional development opportunities and peer dialogue, all of which are designed to support the individualized creative process of movement-based artists.

Application status: OPEN

Application deadline: WED March 4 11:59 EST.

Click here to read the Application Guidelines >>

Click here to access the online application form >>

Click here to access the demographic information form >>

Movement Research launches a Parent Artist Residency Program which will support two artists in its inaugural year. Artists will each receive a $500 residency stipend, $1000 childcare stipend, 50 hours of free rehearsal space at MR’s family friendly New York City studio location, and a free ten class card.

Studios will be available for space booking from 9am-11pm Monday-Sunday.

The residency will take place between July 22 and August 31, 2020.

Application status: OPEN

Application deadline: FRI February 28 11:59 EST.

Click here to read the Application Guidelines >>

Click here to access the online application form >>

Click here to access the demographic information form >>

2019 Artists-in-Residence

2019 Artists-in-Residence:

Jessica Cook

Kayla Hamilton

Benjamin Akio Kimitch

Athena Kokoronis

Jaamil Olawale Kosoko

Zavé Martohardjono

Elisabeth Motley

Lai Yi Ohlsen

Raymond Pinto

Will Rawls++

△ With support from the Jerome Foundation
○ With support from the Mertz Gilmore Foundation
++ With support from the New York State Council for the Arts

In 2019, seven Artists-in-Residence were selected through an open application process by a rotating panel of peer artists. The selected artists receive support from the Jerome Foundation and must fit the Jerome Foundation's definition of an early career artist. Two additional Artists-in-Residence were invited by Movement Research to apply for opportunities through the New York State Council on the Arts and the Mertz Gilmore Foundation. Additionally, the 2018 MR Artists-in-Residence will move into the second year of their residency.

Support for the two-year residency program is provided by the Davis/Dauray Family Fund; the Harkness Foundation for Dance; Dance/NYC’s New York City Dance Rehearsal Space Subsidy Program, made possible by The Andrew M. Mellon Foundation; and the New York City Department of Cultural Affairs in partnership with the City Council.


2019 Artists-in-Residence


2018 Jerome Foundation Artists-in-Residence


2018 Mertz Gilmore Foundation Artists-in-Residence


2018 Van Lier Emerging Artist of Color Fellows


2018 NYSCA Artist-in-Residence


2017 Jerome Foundation Artists-in-Residence


2017 Mertz Gilmore Foundation Artists-in-Residence


2017 Van Lier Emerging Artist of Color Fellows


2017 NYSCA Artists-in-Residence


2016 Jerome Foundation Artists-in-Residence


2016 Mertz Gilmore Foundation Artists-in-Residence


2016 Van Lier Emerging Artist of Color Fellows


2016 NYSCA Artists-in-Residence


A two-year residency program providing commissioning support, rehearsal space, performance and related opportunities designed to support the individualized creative process of movement-based artists.

The application for Movement Research 2019 Artist-in-Residence program is now open! Read the full guidelines here.

Seven (7) artists will be selected to participate in the 2019 Movement Research Artist-in-Residence program via this application process. Applications will be reviewed and selected by a panel of three artists. Artists selected through the panel review process will receive commissioning funds supported through The Jerome Foundation.

Dates: July 2019 – June 2020 with additional opportunities from July 2020 – June 2021.

Deadline: Applications must be submitted online by 11:59pm EST on Friday March 1st, 2019.

Application Form
Demographic Information Form

Notification: Applicants will receive notification no later than April 30th, 2019.


  • Artists must apply as individuals. Movement based artists who are working collaboratively in an ongoing collaborative or collective structure should contact apply@movementresearch.org for eligibility consideration as a collaborative team on a case-by-case basis.
  • Applicants must be residents of New York City. Resident means that your permanent mailing address is in New York City/one of the 5 Boroughs.
  • Applicants must identify as an early career artist as defined by the Jerome Foundation. Please see below for further information on what constitutes an early career artist for the Jerome Foundation2.
  • Applicants must not be enrolled full-time in a school or University program.
  • Past Movement Research Artists-in-Residence must wait three years from the completion of their residency before reapplying. Artists-in-Residence accepted in 2014 or earlier are eligible for the 2019 application cycle.
  • Applications must be submitted online.

Application Guidelines:

Be prepared to provide the following information when submitting your online application. You may not save applications in progress. Once applications are submitted they cannot be edited. Movement Research will accept only one application per artist.

  1. Contact Information
  2. Artistic statement (400 words or less) expressing both personal artistic goals and goals for the residency period.
    1. Include any motivations, intentions, or inspirations that are a critical part of your artistic process as a whole or for the proposed residency.
    2. Describe any concepts, materials, subjects, processes, structures, or questions central to your work.
  3. 1 page Resume (must be formatted as a ONE PAGE 8.5” x 11” PDF document)
  4. Relevance of Residency (150 words or less). What in the specific structure of and resources provided by Movement Research’s Artist-in-Residence program is most relevant to your current artistic process? How will you engage with these resources? (Please refer to list of resources below).
  5. 1 work sample (REQUIRED) that best represents the artistic process in which you are currently engaged.
    1. We ONLY accept online videos. Please provide a link to a URL – YouTube, Vimeo or other. Vimeo is preferred.
    2. Sample must show contiguous footage of a work that demonstrates your current research and investigations. It need NOT be the same work you would like to develop as an AIR. Documentation video with light editing of a multi-camera shoot of a single performance is acceptable, as long as the performance still unfolds in “real-time”. If your work sample is of a durational or installation based work contact MR for approval of an acceptable alternative video format for this type of work sample. Edited excerpts, such as a “promo-videos”, “teasers” or “choreography reels,” will NOT be accepted. All edited samplings of clips will be disqualified.
    3. Include one cue point to a representative 3-5 minute section of the sample. Please include as much of the full work as possible should the panel want to view further.
    4. Brief description of work sample (150 words or less). Please explain the relationship between the work sample and the goals articulated in your artistic statement. If there is no relationship, please tell us why you chose this specific work sample. Please provide a list of collaborators.
  6. 2nd work sample (OPTIONAL) that will offer the panelists additional context around your body of work or offers supplemental information about the artistic process in which you are currently engaged. This work sample is OPTIONAL and will only be viewed if your application is considered in the final round of the panel process.
    1. We ONLY accept online videos. Please provide a link to a URL – YouTube, Vimeo or other. Vimeo is preferred.
    2. Sample must show contiguous footage of a work that demonstrates your current research and investigations. It need NOT be the same work you would like to develop as an AIR. Documentation video with light editing of a multi-camera shoot of a single performance is acceptable, as long as the performance still unfolds in “real-time”. If your work sample is of a durational or installation based work contact MR for approval of an acceptable alternative video format for this type of work sample. Edited excerpts, such as a “promo-videos”, “teasers” or “choreography reels”, will NOT be accepted. All edited samplings of clips will be disqualified.
    3. Include one cue point to a representative 3-5 minute section of the sample. Please include as much of the full work as possible should the panel want to view further.
    4. Brief description of work sample (150 words or less). Please explain the relationship between the work sample and the goals articulated in your artistic statement. If there is no relationship, please tell us why you chose this specific work sample. Please provide a list of collaborators.
  7. Demographic Information1

Through the Artist-in-Residence Program, Movement Research supports rigorous and wide-ranging artistic investigations that are movement-based, but that may incorporate other disciplines and collaborations, with a focus on experimentation. Artists who reflect a range of directions and approaches to making work such that there is an interesting confluence of artistic ideas being explored over the course of the coming years.

Movement Research continuously seeks to engage a more diverse and inclusive participant body and strives to recognize individuality and create equal opportunities for all, regardless of race, class, gender, ability, ethnicity, sexuality or age. Movement Research is committed to maintaining a strong connection to an existing diverse community of experimental artists and audiences, while at the same time expanding its definition of experimentation to more broadly include working within and pushing the boundaries of all movement-based forms. Movement Research recognizes the incredible need to diversify the range of aesthetics, cultural and socio-economic backgrounds represented on NYC stages and strongly encourages applications from individuals aligned with this vision.

Movement Research’s Artist-in-Residence program receives support from The Jerome Foundation, The Davis/Dauray Family Fund, The Mertz Gilmore Foundation, The Andrew W. Mellon Foundation, The New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature, and through public funds from the New York City Department of Cultural Affairs in partnership with the City Council.


Resources provided by Movement Research during the first year of the residency:

  • A commissioning fee of $4500
  • 100 hours of free rehearsal space
  • Access to free or reduced rates for classes and workshops
  • Consideration for participation in MRX/Movement Research Exchange programs
  • Opportunities to participate in other MR programs and to create artist’s own opportunities in consultation with staff, using MR infrastructure – this can include Studies Project discussion series
  • Consultations with MR staff in individual and group settings
  • Opportunities to participate in producing content for the Movement Research blog and possibly for Critical Correspondence and the Performance Journal

During the first year of the residency each AIR is required to:

  • Show work on the Movement Research at the Judson Church. Artists will receive a $500 performance fee.
  • Moderate at least two Open Performance post-discussions
  • Participate in Artist-in-Residence discussion meetings every 4-6 weeks on topics determined by the artists
  • Submit a final report at the end of the residency detailing activities throughout the year

During the second year Movement Research provides:

  • A small research stipend
  • Rehearsal space at free and/or reduced rates
  • Access to free or reduced rates for classes and workshops
  • Opportunities to participate in MRX programs
  • An additional chance to show work on the Movement Research at the Judson Church series (for which an additional $200 stipend will be provided)
  • Opportunities to moderate additional Open Performance post-discussions

During the second year of the residency each AIR is required to:

  • Participate in 6-8 discussion meetings over the year on topics determined by the artists
  • Submit a final report at the end of the residency detailing activities throughout the year

  1. Movement Research collects demographic information for internal use only. This information is used to evaluate the reach and access of our programs and in reporting to our funders. Internal demographic evaluation and reporting with funders will be done anonymously. We acknowledge the complexities inherent in this type of information collection and are committed to the ongoing examination of the language used around demographics.
  2. Eligible applicants must be considered to be early career/emerging -- artists with some track record of creating and presenting full work (not beginning artists), and artists who are NOT at a point in their careers where they receive consistent development and production opportunities and significant recognition, awards, and acclaim (not mid-career or established artists). Further details can be found at the following link: https://www.jeromefdn.org/appl...

About the Program

To learn more about the Movement Research Artist-in-Residence program and to view current artists-in-residence, visit the tab "About."

The application for Movement Research 2019 Artist-in-Residence program is now open! Read the guidelines here.

LEARN MORE

Since 2001 over 50 individuals have participated in the AIR program.

Past Artists

YEAR

Renee Archibald

Martin Lanz Landazuri

Cori Olinghouse

Karl Kronin

Charlotte Gibbons

Sakura Shimada

Arturo Vidich

Pavel Zustiak

Christal Brown

DD Dorvillier

Vanessa Justice

Rebecca Lazier

Mollie O'Brien

Paul Benney

Chantal Yzermans

Jeremy Wade

Osmani Tellez

Yasuko Yokoshi

2018 MR Van Lier Emerging Artist of Color Fellows

Ayano Elson
December 16, 2018 7:00pm - 8:00pm

2018 MR Van Lier Emerging Artist of Color Fellows

Ayano Elson
December 16, 2018 6:00pm - 7:00pm

2018 MR Van Lier Emerging Artist of Color Fellows

J. Bouey
December 16, 2018 2:30pm - 3:30pm

Movement Research Artists-in-Residence at Center for Performance Research

Laurel Atwell, Kim Brandt, Angie Pittman, Kristopher K.Q. Pourzal, Alexandra Tatarsky, Kate Watson-Wallace
March 27, 2018 8:00pm - 10:00pm

Movement Research Artists-in-Residence at the Center for Performance Research

Hadar Ahuvia, Ursula Eagly, Camilo Godoy, Molly Poerstel, Jen Rosenblit, André M. Zachery
March 21, 2017 8:00pm - 9:00pm

A Glit Together

Jasmine Hearn, Shantelle Courvoisier Jackson
Oct 31, 2016 8:00pm - 9:30pm

Movement Research at the Judson Church 25th Anniversary Performance

Sep 12, 2016 8:00pm - 9:00pm
2 additional events

NEW Parent Artist Residency Program

Movement Research’s Parent Artist Residency program aims to address the need for flexible and supportive creative arts services for New York City-based parent artists in the field of dance and movement-based art forms. The high cost of childcare in NYC, combined with studio rental costs, are often a barrier preventing parent artists from having time in the studio to produce creative work. Movement Research aims to help address this challenge through the Parent Artist Residency Program.

Two (2) artists will be selected to participate in the 2020 Parent Artist Residency Program. Applications will be reviewed and selected through a panel process.

The 2020 residencies will take place between July 22 and August 31, 2020.

Selected artists will receive 50 hours of rehearsal space, a $500 residency stipend, a childcare stipend in the amount of $1000 and a ten class card for access to Movement Research classes.

Movement Research’s 2020 Parent Artist Residency Program is supported in part by The Sustainable Arts Foundation.

Artists must apply as individuals. Movement based artists who are working collaboratively in an ongoing collaborative or collective structure should contact apply@movementresearch.org for eligibility consideration on a case-by-case basis.

Criteria for participation in the Parent Artist Residency include:

  • Must be the parent or legal guardian of one or more children between the ages of 1 month and 13 years of age
  • Must be residents of New York City, living within the 5 boroughs
  • Must be working in the field of dance or other movement-based forms
  • Artists who will be supported through the Movement Research Artist-in-Residence or Resident Artist programs during this residency period are not eligible to apply.

Applications must be submitted online. Artists for whom reliable Internet access is inaccessible should contact Movement Research at (212) 598-0551 (voice only) for guidance.

Be prepared to provide the following information when submitting your online application. You may not save applications in progress. Once applications are submitted they cannot be edited. Movement Research will accept only one application per artist.

  1. Contact Information
  2. Artist Biography (200 words or less)
  3. Artistic statement (maximum 400 words) expressing artistic goals for the residency period.
    1. Include any motivations, intentions, or inspirations that are a critical part of your artistic process as a whole or for the proposed residency.
    2. Describe any concepts, materials, subjects, processes, structures, or questions central to your work.
    3. At what stage in your process do you anticipate being in during the residency period? Examples might include: exploring new material, midway of rehearsal process for an upcoming premiere, re-staging work.
  4. Relevance of Residency to Parent Artist (maximum 300 words)
    1. Please provide details on how you would utilize the residency resources, including rehearsal space, residency stipend, and childcare stipend.
    2. Please include what times of day and days of week you would like to rehearse.
  5. 1 work sample (REQUIRED) that represents your artistic process.
    1. We ONLY accept online videos. Please provide a link to a URL – YouTube, Vimeo or other. Vimeo is preferred.
    2. Sample must show contiguous footage of a work. Documentation video with light editing of a multi-camera shoot of a single performance is acceptable, as long as the performance still unfolds in “real-time”. If your work sample is of a durational or installation based work, contact MR for approval of an acceptable alternative video format for this type of work sample. Please do not submit edited excerpts, such as “promo videos,” “teasers,” or “choreography reels”.
    3. Include one cue point to a representative 3-5 minute section of the sample. Please include as much of the full work as possible should the panel want to view further.
    4. Work sample description (150 words or less). Please explain the relationship between the work sample and your artistic statement. If there is no direct relationship, please tell us why you chose this specific work sample. Please provide a list of collaborators.
  6. 2nd work sample (OPTIONAL) that will offer the panelists additional context around your body of work or artistic process. This work sample is OPTIONAL and will only be viewed if your application is considered in the final round of the panel process.
    1. We ONLY accept online videos. Please provide a link to a URL – YouTube, Vimeo or other. Vimeo is preferred.
    2. Sample must show contiguous footage of a work. Documentation video with light editing of a multi-camera shoot of a single performance is acceptable, as long as the performance still unfolds in “real-time”. If your work sample is of a durational or installation based work, contact MR for approval of an acceptable alternative video format for this type of work sample. Please do not submit edited excerpts, such as “promo videos,” “teasers,” or “choreography reels”.
    3. Include one cue point to a representative 3-5 minute section of the sample. Please include as much of the full work as possible should the panel want to view further.
    4. Work sample description (150 words or less). Please explain the relationship between the work sample and your artistic statement. If there is no direct relationship, please tell us why you chose this specific work sample. Please provide a list of collaborators.
  7. Demographic Information: Movement Research collects demographic information for internal use only. This information is used to evaluate the reach and access of our programs and in reporting to our funders. Internal demographic evaluation and reporting with funders will be done anonymously. We acknowledge the complexities inherent in this type of information collection and are committed to the ongoing examination of the language used around demographics.

Resources provided by Movement Research:

  • 50 hours of free rehearsal space
  • A residency fee of $500
  • A childcare stipend in the amount of $1000
  • A ten class card for access to Movement Research classes
  • Consideration for participation in MRX/Movement Research Exchange programs

Artist is required to:

  • Meet with Movement Research program staff once prior to the residency and once post residency
  • Submit a final report at the end of the residency detailing activities

Artist-in-Residence Program

A two-year residency program providing commissioning support, rehearsal space, performance and related opportunities designed to support the individualized creative process of movement-based artists.

Seven (7) artists will be selected to participate in the 2020 Movement Research Artist-in-Residence program via this application process. Applications will be reviewed and selected by a panel of three artists. Artists selected through the panel review process will receive commissioning funds supported through The Jerome Foundation.

Through the Artist-in-Residence Program, Movement Research supports rigorous and wide-ranging artistic investigations that are movement-based, but that may incorporate other disciplines and collaborations, with a focus on experimentation. Artists who reflect a range of directions and approaches to making work such that there is an interesting confluence of artistic ideas being explored over the course of the coming years.

Movement Research continuously seeks to engage a more diverse and inclusive participant body and strives to recognize individuality and create equal opportunities for all, regardless of race, class, gender, ability, ethnicity, sexuality or age. Movement Research is committed to maintaining a strong connection to an existing diverse community of experimental artists and audiences, while at the same time expanding its definition of experimentation to more broadly include working within and pushing the boundaries of all movement-based forms. Movement Research recognizes the incredible need to diversify the range of aesthetics, cultural and socio-economic backgrounds represented on NYC stages and strongly encourages applications from individuals aligned with this vision.

Artists must apply as individuals. Movement based artists who are working collaboratively in an ongoing collaborative or collective structure should contact apply@movementresearch.org for eligibility consideration as a collaborative team on a case-by-case basis.

Applicants must be residents of New York City. Resident means that your permanent mailing address is in New York City/one of the 5 Boroughs.

Applicants must identify as an early career artist as defined by the Jerome Foundation. Please see below for further information on what constitutes an early career artist for the Jerome Foundation2.

Applicants must not be enrolled full-time in a school or University program.

Past Movement Research Artists-in-Residence must wait three years from the completion of their residency before reapplying. Artists-in-Residence accepted in 2015 or earlier are eligible for the 2020 application cycle.

Applications must be submitted online. Artists for whom reliable Internet access is inaccessible should contact Movement Research at (212) 598-0551 (voice only) for guidance.

Be prepared to provide the following information when submitting your online application. You may not save applications in progress. Once applications are submitted they cannot be edited. Movement Research will accept only one application per artist.

  1. Contact Information
  2. Artistic statement (400 words or less) expressing both personal artistic goals and goals for the residency period.
    1. Include any motivations, intentions, or inspirations that are a critical part of your artistic process as a whole or for the proposed residency.
    2. Describe any concepts, materials, subjects, processes, structures, or questions central to your work.
  3. 1 page Resume (must be formatted as a ONE PAGE 8.5” x 11” PDF document)
  4. Relevance of Residency (150 words or less). What in the specific structure of and resources provided by Movement Research’s Artist-in-Residence program is most relevant to your current artistic process? How will you engage with these resources? (Please refer to list of resources below).
  5. 1 work sample (REQUIRED) that best represents the artistic process in which you are currently engaged.
    1. We ONLY accept online videos. Please provide a link to a URL – YouTube, Vimeo or other. Vimeo is preferred.
    2. Sample must show contiguous footage of a work that demonstrates your current research and investigations. It need NOT be the same work you would like to develop as an AIR. Documentation video with light editing of a multi-camera shoot of a single performance is acceptable, as long as the performance still unfolds in “real-time”. If your work sample is of a durational or installation based work, contact MR for approval of an acceptable alternative video format for this type of work sample. Edited excerpts, such as “promo videos,” “teasers,” or “choreography reels” will NOT be accepted. All edited samplings of clips will be disqualified.
    3. Include one cue point to a representative 3-5 minute section of the sample. Please include as much of the full work as possible should the panel want to view further.
    4. Brief description of work sample (150 words or less). Please explain the relationship between the work sample and the goals articulated in your artistic statement. If there is no direct relationship, please tell us why you chose this specific work sample. Please provide a list of collaborators.
  6. 2nd work sample (OPTIONAL) that will offer the panelists additional context around your body of work or offers supplemental information about the artistic process in which you are currently engaged. This work sample is OPTIONAL and will only be viewed if your application is considered in the final round of the panel process.
    1. We ONLY accept online videos. Please provide a link to a URL – YouTube, Vimeo or other. Vimeo is preferred.
    2. Sample must show contiguous footage of a work that demonstrates your current research and investigations. It need NOT be the same work you would like to develop as an AIR. Documentation video with light editing of a multi-camera shoot of a single performance is acceptable, as long as the performance still unfolds in “real-time”. If your work sample is of a durational or installation based work, contact MR for approval of an acceptable alternative video format for this type of work sample. Edited excerpts, such as “promo videos,” “teasers,” or “choreography reels” will NOT be accepted. All edited samplings of clips will be disqualified.
    3. Sample must show contiguous footage of a work that demonstrates your current research and investigations. It need NOT be the same work you would like to develop as an AIR. Documentation video with light editing of a multi-camera shoot of a single performance is acceptable, as long as the performance still unfolds in “real-time”. If your work sample is of a durational or installation based work, contact MR for approval of an acceptable alternative video format for this type of work sample. Edited excerpts, such as “promo videos,” “teasers,” or “choreography reels” will NOT be accepted. All edited samplings of clips will be disqualified.
    4. Include one cue point to a representative 3-5 minute section of the sample. Please include as much of the full work as possible should the panel want to view further.
    5. Brief description of work sample (150 words or less). Please explain the relationship between the work sample and the goals articulated in your artistic statement. If there is no direct relationship, please tell us why you chose this specific work sample. Please provide a list of collaborators.
  7. Demographic Information

Resources provided by Movement Research during the first year of the residency:

  • A commissioning fee of $4500
  • 100 hours of free rehearsal space
  • Access to free or reduced rates for classes and workshops
  • Consideration for participation in MRX/Movement Research Exchange programs
  • Opportunities to participate in other MR programs and to create artist’s own opportunities in consultation with staff, using MR infrastructure – this can include Studies Project discussion series
  • Consultations with MR staff in individual and group settings
  • Opportunities to participate in producing content for the Movement Research blog and possibly for Critical Correspondence and the Performance Journal

During the first year of the residency each AIR is required to:

  • Show work as part of Movement Research at the Judson Church. Artists will receive a $500 performance fee.
  • Moderate at least two Open Performance post-discussions
  • Participate in Artist-in-Residence discussion meetings every 4-6 weeks on topics determined by the artists
  • Submit a final report at the end of the residency detailing activities throughout the year

During the second year Movement Research provides:

  • A small research stipend
  • Rehearsal space at free and/or reduced rates
  • Access to free or reduced rates for classes and workshops
  • Opportunities to participate in MRX programs
  • An additional chance to show work on the Movement Research at the Judson Church series (for which an additional $200 stipend will be provided)
  • Opportunities to moderate additional Open Performance post-discussions

During the second year of the residency each AIR is required to:

  • Participate in 6-8 discussion meetings over the year on topics determined by the artists
  • Submit a final report at the end of the residency detailing activities throughout the year