Comments on: Response: Lindsey Drury on Ishmael Houston-Jones, Dennis Cooper and Chris Cochrane’s THEM, with a reply from Ishmael http://old.movementresearch.org/criticalcorrespondence/blog/?p=2380&utm_source=rss&utm_medium=rss&utm_campaign=response-lindsey-drury-on-ishmael-houston-jones-dennis-cooper-and-chris-cochranes-them-with-a-reply-from-ishmael Critical Correspondence is an artist-driven project of Movement Research that aims to activate, develop and increase the visibility of critical discourse on dance and movement-based performance work. Wed, 15 Oct 2014 18:27:30 +0000 hourly 1 https://wordpress.org/?v=4.5.29 By: Rosella Deschamp http://old.movementresearch.org/criticalcorrespondence/blog/?p=2380&cpage=1#comment-7229 Fri, 01 Apr 2011 13:28:04 +0000 http://www.movementresearch.org/criticalcorrespondence/blog/?p=2380#comment-7229 I like this prospect much, this is the prosody caesura where i can recede smth from me, a superiority of discouragement this is what i like.

]]>
By: Infectious Nostalgia in Ishmael Houston-Jones, Dennis Cooper and Chris Cochrane’s THEM - Montevidayo http://old.movementresearch.org/criticalcorrespondence/blog/?p=2380&cpage=1#comment-2037 Sun, 16 Jan 2011 06:06:50 +0000 http://www.movementresearch.org/criticalcorrespondence/blog/?p=2380#comment-2037 […] isn’t a piece about AIDS, but AIDS constricts its view and casts a considerable pall.”  And as Houston-Jones himself admits, “the piece was made at a very specific time/place/circumstance and that is what makes THEM, […]

]]>