Comments on: Beginning the Investigation http://old.movementresearch.org/criticalcorrespondence/blog/?p=268&utm_source=rss&utm_medium=rss&utm_campaign=beginning-the-investigation Critical Correspondence is an artist-driven project of Movement Research that aims to activate, develop and increase the visibility of critical discourse on dance and movement-based performance work. Wed, 15 Oct 2014 18:27:30 +0000 hourly 1 https://wordpress.org/?v=4.5.29 By: Performing Citizenship « Critical Correspondence http://old.movementresearch.org/criticalcorrespondence/blog/?p=268&cpage=1#comment-17 Sun, 27 Jun 2010 21:18:41 +0000 http://www.movementresearch.org/criticalcorrespondence/blog/?p=268#comment-17 […] do this effectively requires all the power available. Like Faustin Linyekula (see my earlier entry: Beginning the Investigation) and many others, Escalante has an urgent message in mind, but the conscious or unconscious […]

]]> By: Alejandra http://old.movementresearch.org/criticalcorrespondence/blog/?p=268&cpage=1#comment-14 Sun, 27 Jun 2010 17:26:24 +0000 http://www.movementresearch.org/criticalcorrespondence/blog/?p=268#comment-14 A cool strategy

Submitted by Eva Yaa Asantewaa on Fri, 01/04/2008 – 7:58am.

Hi, Clarinda!

I’ve enjoyed your remarks about Linyekula’s performance and look forward to reading more of your observations of dance and performance. I’d only add this: From where I sat, I had to deliberately turn my head and look up over the band (which was fantastic, btw) to focus on the text of all of those political lies. If you wanted to read it, you had to look away from the performance, and I think most people did not really bother to do so–which, I think, put all that bullshit in its proper place. Excellent revenge.

Eva Yaa Asantewaa
InfiniteBody
http://infinitebody.blogspot.com

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