Critical Correspondence

MRPJ#10/performance/protest/resistance/activism: Table of Contents

Winter and Spring 1995

Editor: Cathy Edwards

The De-Tom-O-Tron by Algernon Miller

Editor’s Note

Arlene Carmen: 1936 – 1994

Letters and Dialogue by Susan Klein, Elizabeth Zimmer and Barbara Dilley

Improvisation Festival After Thoughts: A Review of My Own Audiencing by Daniel Lepkoff

Unbearable and Inescapable by Neil Greenberg

The 90’s Culture of Xenophobia by Guillermo Gómez Peña

Body Politics: the child’s and dancer’s body as a battleground between freedom and oppression by Remy Charlip

An Address to the National Performance Network by Terry Galloway

Everything. Nothing. Enough. by Jon Weaver

Moving Dyke Bodies by Jennifer Monson

Confessions of an Activist Soldier by Esther Kaplan

Protest as…Coming Out on Stage by Annie Lanzillotto with quotes from Barbara Stratyner

Secret Lives of an Art Critic by Cathy Edwards

Frassle-Day Goats Or Gods by Edwin Torres

Protest Anyone? by Ted Byfield

KUUMBA: In the Spirit of Inclusivity by Janine Williams

Arms of the Law by David Alan Harris

I Do Not Protest, I Resist by Kalamu ya Salaam

The Turd in the Punch Bowl by Peter Laarman

EL CIRCO GIGANTON DE MECATE: Art, Politics, and Farming in Nicaragua by Michael Romanyshyn

Resistance by Eileen Myles

Danny Tisdale: An Artist for a Change by Danny Tisdale

Theater in the Ruined City: Peter Schumann at the Sarajevo Festival an interview by John Bell

HomoHex by Keith Hennessy and Jack Davis