Critical Correspondence

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Critical Correspondence: Dance and the Museum

In 2013, Critical Correspondence initiated a project dedicated to the examination of dance in the museum today–its politics, economics, and aesthetics. Acknowledging a long history of cross-pollination between dance and the visual arts–some driven by artists, some by institutions–our hope is to create a forum, based in a dance institution, for the voices of those [...]

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Xavier Le Roy in Conversation with Will Rawls

Over the last twenty years, Xavier Le Roy has radically expanded the field of contemporary choreography, through solo and collective research-based practice. His diverse works question the limits of performance, exposing the conditions that govern artistic production in the theater. Increasingly, Le Roy has turned towards issues of addressing and engaging the public, and how [...]

Neil Greenberg's 'This,' photo: Frank Mullaney

Neil Greenberg in Conversation with Biba Bell

  As Neil Greenberg prepares to premiere his latest work, This, at New York Live Arts the first weekend of December, he discusses his motivating questions as well as the shifts in his choreographic concerns during the four years since his last piece, (like a vase). Citing Susan Sontag’s “Against Interpretation” as an enduring theoretical [...]

Destroy//, Leyya Tawil, Detroit, photo: Lisa Frank

Leyya Tawil in Conversation with Linda Weintraub

Bay Area based choreographer and dance artist Leyya Tawil, also known for her extensive collaborations with composers Christopher Keyes (1999-2008), Mark Gergis (2009-2010), Lars J Brouwer (2011-2013), and Mike Khoury (ongoing), has been traveling the globe touring her current project Destroy// since its inception in San Francisco in 2012. Performed internationally in 19 cities thus [...]

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From the CC editors

Please welcome new editor Biba Bell who will be joining Will Rawls as co-editor of Critical Correspondence. Abigail Levine will move on to an Editor-at-Large role to continue to contribute content to both the Dance and the Museum project and the University Project. The CC editorial team is committed to diverse forms of writing that engage with the ephemeral nature of performance. In the coming year, we will concentrate discussion around dance's encounters-with other artistic practices, theoretical and political frames, and institutions-to provide space and structure to engage, debate, and consider the effects and possibilities for the field. We invite submissions that imaginatively and critically examine the processes and histories of artists and communities in the U.S. and abroad. 

Critical Correspondence is a web-based publication of Movement Research that provides a forum for diverse engagements with artistic practice, research, and the contexts that surround the field of dance. Utilizing the flexibility of a digital platform, Critical Correspondence publishes timely and in-depth content in multiple formats, including interviews, experimental and scholarly writing, podcasts and video projects. Edited by a rotating team of artists, the publication aims to foster discourse and increase the visibility of dance and movement-based forms in larger artistic and cultural conversations.

Editors:
Biba Bell
Will Rawls

Editor-at-Large:
Abigail Levine

Interns:
Florence Nasar
Meg Weeks

Former Editors:
Abigail Levine, Nicole Daunic, Aaron Mattocks, Marissa Perel, Lydia Bell, Ursula Eagly, Milka Djordjevich, Levi Gonzalez, Alejandra Martorell

To contribute or propose an interview, research project or other form of writing, please contact us. In keeping with Movement Researchs mission, we are especially interested in writings that explore an artistic process over time, with the understanding that we are using the term process in its widest possible definition.

cc@movementresearch.org

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